de Grummond Collection

McCain Library and Archives
University Libraries
University of Southern Mississippi



ALIKI BRANDENBERG PAPERS

Collection Number
Collection Dates
Collection Volume
DG0110
1962-1986 [1962-1977]
2.40 cu.ft. (4 boxes)

Biographical Sketch | Scope & Content | Related Collections | Series & Subseries | Box Inventory

Provenance

Materials received from Aliki Brandenberg between 1966 and 1986.

Restrictions

Noncirculating; available for research.

Copyright

This collection is protected by the Copyright Law of the United States (Title 17, U. S. Code). Reproductions can be made only if they are to be used for "private study, scholarship, or research." It is the user's responsibility to verify copyright ownership and to obtain all necessary permissions prior to the reproduction, publication, or other use of any portion of these materials, other than that noted above.


Biographical Sketch

Aliki Liacouras Brandenberg was born in Wildwood Crest, New Jersey on September 3, 1929. Growing up and attending school in Philadelphia and suburban Yeadon, Pennsylvania, she drew constantly and attended art classes on Saturdays. In 1951 she graduated from Philadelphia Museum College of Art. She worked in the display department at J. C. Penney Co. in New York for a year and then as a free-lance artist and art teacher in Philadelphia. In 1956 she spent several months traveling, painting, and sketching in Europe. In Greece, her parents' native land, she discovered her heritage. In 1957 she married Franz Brandenberg, also a writer, and they settled in Switzerland where she worked as a free-lance artist. Her first book, The Story of William Tell (1960), was inspired by a visit to the area in Switzerland where Tell had lived.

In 1960 the Brandenbergs moved to New York City. Aliki continued to write and illustrate children's books, both fiction and nonfiction. She says the fiction is "true and a part of her," and she takes her stories from her own children and neighbors. An example of this kind of book is At Mary Bloom's (1976), which was inspired by her daughter's visit to a neighbor. Her nonfiction books are a result of her fascination with a particular subject or person and require a great deal of research. The Story of Johnny Appleseed (1963), George and the Cherry Tree (1964), and The Many Lives of Benjamin Franklin (1977) are among the biographies she has written. She also writes informative books about scientific or historical topics, such as Corn Is Maize: The Gift of the Indians (1976) and Digging Up Dinosaurs (1981). Three Gold Pieces: A Greek Folk Tale (1967) and Diogenes: The Story of the Greek Philosopher (1969) are books inspired by her Greek heritage. Aliki also has illustrated over fifty books for other writers including several for her husband. Her artistic style differs with the type of book she is illustrating; some books need a modern design of simple shapes and bright colors while others need an old-fashioned approach.

Aliki and her family moved to England in 1977 where she continues to write and illustrate. She received the New Jersey Institute of Technology Award for The Listening Walk in 1961 and for Bees and Beelines in 1964, the Boys Club of America Junior Book Award for Three Gold Pieces: A Greek Folk Tale in 1968, and the Children's Book Showcase for At Mary Bloom's in 1977. She also won the New York Academy of Sciences (younger) Award for Corn Is Maize: The Gift of the Indians in 1977 and the Garden State Children's Book Award (younger nonfiction) for Mummies Made In Egypt in 1982.

Sources:


Scope and Content

The collection contains correspondence, a book catalog cover Aliki designed, and material related to the publication of ten books. The correspondence consists of four letters from Aliki to the de Grummond Collection and four Christmas cards she designed. The book titles are in alphabetical order, with material for each title arranged in the probable order in which it was created. Titles that are well represented in the collection indicate the manner in which Aliki worked, first drawing research sketches and a thumbnail dummy and proceeding to color separations. This collection is representative of the books Aliki has written and illustrated, including scientific, biographical, and picture books, as well as titles by other authors that she illustrated.

Corn Is Maize: The Gift of the Indians (1976) is a description of how corn was discovered by the Indians, how it was used, and how it has become an important food in the world today. For this title, materials include research and thumbnail sketches, a dummy, a galley, paste-ups and color separations. Fossils Tell of Long Ago (1972) is the story of how fossils are formed and what they tell us about the past. For this title there are sketches, thumbnail and full-size dummies, illustrations with text paste-ups, color separations, dust jacket material, and an unbound copy. For George and the Cherry Tree (1964), the story of young George Washington and his father's cherry tree, the collection has two acrylic illustrations with text paste-ups.

For Is It Blue As A Butterfly? (1965), the story of a little girl trying to guess what present her father has brought her, the collection holds a dummy and color separations. The Lazy Little Zulu (1962) is a story about Chaka, the village witch doctor, and Chaka's sick mother. The collection includes paste-ups and color separations with text paste-ups for this title. My Visit to the Dinosaurs (1969), a Let's-Read-and-Find-Out Science Book, is the story of a young boy's visit to a natural history museum and what he learns about dinosaurs. It was the first of several books by Aliki about these prehistoric creatures. This title is represented by research and thumbnail sketches, a dummy, an edited typescript, two galleys, watercolor illustrations with paste-ups, color separations with text paste-ups, and an unbound proof. Many of these items Aliki labeled herself.

Oh Lord, I Wish I Was a Buzzard (1968) is the story of a little girl picking cotton in the hot sun who finds relief by fantasizing. For this title, there are sketches, a dummy, color separations, and an unbound copy. One Day It Rained Cats and Dogs (1965) cleverly makes familiar sayings seem ridiculous. For this title, the collection has a proof, paste-up, and color separations with text paste-ups. For What Can I Buy? (1962), the story of a little boy trying to decide what to purchase with his money, the collection holds color separations with text paste-ups. Wild and Woolly Mammoths (1977), another Let's-Read-and-Find-Out Science Book, tells about the giant extinct land mammal. For this title, there are thumbnail sketches, a dummy, paste-ups, color separations with text paste-ups, and jacket material.




Series and Subseries

A. Correspondence (1964-1986)

B. Catalog Cover (1962)

C. Books


Box Inventory


    Box/Folder

A. Correspondence


1/1 To the de Grummond Collection, 1966-1986, 4 items. Christmas cards, illustrated by Aliki, 1977-1983 and undated, 4 items.

B. Catalog Cover

1/2 Illustration with paste-up, ink, 1962.

C. Books

CORN IS MAIZE: THE GIFT OF THE INDIANS written and illustrated by Aliki Brandenberg (New York: Harper & Row, 1976). 1/3 Research sketches, 2 items. Thumbnail sketches, 2 items. Preliminary drawing, p. 34. Dummy, graphite, ink, and crayon. 1/4 Letter from editor, 1975. Galley, photocopy, 8 pp. Color sample from artist, green. Paste-ups, p. i, 34, and dust jacket. 1/5-1/7 Color separations, with text paste-ups, 1/5 pp. i (acetate only), ii-v, and 0-7; 1/6 pp. 8-23; 1/7 pp. 24-33 and dust jacket. News release. FOSSILS TELL OF LONG AGO by Aliki Brandenberg (New York: Harper & Row, 1972). 1/8 Sketches, ink and pentel, 2 items. Thumbnail dummy, graphite. 1/9 Dummy, ink, graphite, marker. 1/10 Illustrations with text paste-ups, ink and watercolor, 34 and i, 2-3, 6-7, 0-11, 14-15, 18-19, 22-23, 26-27, and 30-31. 1/11-11/12 Color separations with text paste-ups, 1/11 pp. ii-iii, 0-1, 4-5, 8-9, and 12-13; 1/12 pp. 16-17, 20-21, 24-25, 28-29, and 32-33. 1/13 Dust jacket material: paste-up of front and back flap text, color separation with text paste-up and proof. Proof, unbound. GEORGE AND THE CHERRY TREE by Aliki Brandenberg (New York: Dial Press, 1964). 1/14-1/15 Illustration with text paste-up, 1/14 acrylic, pp. 26-27; 1/15 acrylic, pp. 30-31. IS IT BLUE AS A BUTTERFLY? by Rebecca Kalusky, pictures by Aliki Brandenberg (Engelwood Cliffs, N. J.: Prentice-Hall, 1965). 2/1 Dummy, ink, watercolor, and marker. 2/2-2/3 Color separations with text paste-ups, 2/2 pp. 32 and 1, and 2-15; 2/3 pp. 16-31 and dust jacket. THE LAZY LITTLE ZULU by James Holding, illustrated by Aliki (New York: Morrow, 1962). 2/4 Paste-up, pp. 1, 2, and 4. 2/4-2/7 Color separations, 2/4 end papers, p. 1 (with text paste-up) and pp. 2-5; 2/5 pp. 6-15; 2/6 pp. 16-25; 2/7 pp. 26-32 and dust jacket. MY VISIT TO THE DINOSAURS by Aliki Brandenberg (New York: Crowell, 1969). 3/1 Research sketches, ink and graphite, 10 items. Thumbnail sketches, graphite, 5 items. Dummy, ink and marker, title page and cover. 3/2 Typescript, edited, pp. 1-7. Galley, edited by author, 3 pp. Galley, final, 3 pp. 3/3-3/5 Illustrations with paste-ups, ink and watercolor, 3/3 pp. 2-3 6-7, 10-11, and 14-15; 3/4 pp. 18-19, 22-23, 26-27, 30-31, and 34; 3/5 title spread, pp. 0-1, 4-5, and 8-9. 3/6-3/7 Color separations with text paste-ups, 3/6 pp. 12-13, 16-17, and 20-21; 3/7 pp. 24-25, 28-29, 32-33, and jacket. 3/8 Proof, unbound. OH LORD, I WISH I WAS A BUZZARD by Polly Greenberg, illustrated by Aliki Brandenberg (New York: Macmillan, 1968). 3/9 Sketches, ink and magic marker, 3 items. Dummy, acrylic. 3/10-4/3 Color separations, 4/1 pp. 1 and 4-11; 4/1 pp. 12-21; 4/2 pp. 22-31; 4/3 dust jacket, 2 items. 4/4 Proof, unbound, with dust jacket. ONE DAY IT RAINED CATS AND DOGS by Bernice Kohn Hunt, pictures by Aliki Brandenberg (New York: Coward-McCann, 1965). 4/5 Correspondence, to and from editor, 1964-1965 and undated, 4 items. Proof of text. Paste-up, dust jacket flaps. 4/6-4/7 Color separations with text paste-ups, 4/6 pp. 1-15; 4/7 pp. 16-31 and dust jacket. WHAT CAN I BUY? by Mickey Klar Marks, illustrated by Aliki Brandenberg (New York: Dial Press, 1962). 4/8-4/9 Color separations with text paste-ups, 4/8 end papers and pp. 4-15; 4/9 pp. 16-35 and dust jacket. WILD AND WOOLLY MAMMOTHS written and illustrated by Aliki Brandenberg (New York: Crowell, 1977). 4/10 Thumbnail sketches, graphite, 2 items. Dummy, ink, colored pencil, and chalk. 4/11 Paste-ups, pp. iv-vi and 34. 4/12-4/14 Color separations, with text paste-ups, 4/12 pp. i-iii, vi, and 1-7; 4/13 pp. 8-19; 4/14 pp. 20-33. 4/15 Dust jacket material: preliminary illustration, pen and colored pencil; photocopy of dust jacket; color separation with text paste-up; and dust jacket.


Processed: May 1991
Revised: June 7, 2001

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The de Grummond Children's Literature Collection
Box 5148
Hattiesburg, MS 39406
(601) 266-4349
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